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Showing posts with label Brooklyn. Show all posts
Showing posts with label Brooklyn. Show all posts

Thursday, July 13, 2017

The last night before gentrification: The 77' NYC Blackout

I remember my aunt (who will undoubtedly toss some cents at this post) telling us it was a blackout. 
My grandmother or maybe my mom, was skeptical. On this mid July day 40 years ago I was a tiny child and the day was still brightly lit at something passed 7:30 PM or probably later based on what came next.
Also the TV was on. Contradictory to any "Blackout" talk the house offered, Roger Grimsby a name who bore a a news man on Channel 7 to fit it, joylessly told the news of the day, and I'm certain (due to my strange memory) he was talking about power outages. The household debate between a girl, her adult sister and their mom raged on, loudly.
I'm pretty sure my mother pointed out to her youngest sister that the TV was still on. My Aunt, then a young teenager was frustrated and in full "nobody listens to me" mode.
Perfectly, during the conversation involving the TV, Roger Grimsby and the electricity in our building went out.
"SEE!!!" came rising from you-know-who.
We lived on the 12th floor. A rarity for a non-housing project non-luxury building in Brooklyn. Crown Heights in fact. Fun fact I can see that building from my current kitchen window. The universe circles.
Back 40 years ago, the TV off, the apartment now light by large unblocked city and sky facing windows the conversation finally had a chance to lurch forward. "What is happening" "How much" "How long" started new branches of conversation each digging into the topics and planting new roots.
My memory, and I trust it because at that age I'd seen nothing like this before or since in real life, tells me that before the TV went out, part of my mom and grandmother's argument, against "blackout" was that the city's skyline was lit up as the sky became twilight, that strange time when man-made light and sun we're both present and visible, windows making a mosaic of clear parallelograms each inlaid on rectangles themselves.
The memory I'm slowly baking to is seeing sections of the city in order from uptown to down, begin to go lightless. It looked like at least ten blocks at a time, switching off, orderly, a simple procession. That, as I recall was what got the debate stopped. I feel like my mother had pointed out that the city had lights "SEE!" and she pointed. And then the illumination of the dominions began to fall, and made way through the isle of olde Dutch robbery.
When all Manhattan was out, we all turned our heads or bodies, expectantly to the TV, where Roger, still without joy or even astonishment, continued speaking to us. It seemed to take a small pause in time for him to finally get the news and then in a flash, he the tv, our dining area lights, all gone.
It seemed to be connected says my memory, that within 1 minute there was a screech of tires and then a scream, from the intersection of Park Pl. and Classon Ave, 12 stories (and more) below.
We ran to our terrace (another rarity in Brooklyn then and now) and looked below to intersection:
Darkness punctuated by long swords of car headlights was most easily seen. At street level, people argued, glass broke, people ran. For light, for their lives. From their fears, and back then unlike now, many of those fears was likely.

Ironically in 2017 you could say it was lit, and yet the opposite.

When the dark was full, we lit candles, cautiously opened the apartment door to the knocks we heard in the hall. It wasn't risky, the building was full of doctors, nurses and the administrative staff whom all worked for the Brooklyn Jewish Hospital (now apartments! #gentrification) Our neighbors came around with flashlights, checking on everyone.
We stayed in that night, of course. The elevators didn't work, and who wants to take the stairs to a perceived and darken hell.
We could hear yelling, occasional screams, and car horns intermittently all night. It was probably the most chaos I ever or have since heard, but it didn't seem that much crazier than 1977 NYC to my tiny ears, just more consistent and without ebb. The sounds lasted until we finally fell asleep. At least I did.
During the 25+ hour long blackout, parts of Brooklyn burned; Especially, in Bushwick and along it's border with Bedford-Stuyvesant (back when Bushwick was still able to reach north west toward Marcy Av. Many apartments went up and many more small businesses were abandoned by small business owners, and later by insurance companies and bank loan officers. 

Some areas were not to return to prosperity until the plans drawn up in the weeks and years that followed that night, were set in motion.

Wednesday, March 23, 2016

RIP PhifeDawg, aka Malik Taylor and some of 90's NYC

(Above a still from the music video for "Jazz/Buggin' Out" by "A Tribe Called Quest" (1991) featuring a then mostly desolate DUMBO waterfront in the background. Of course that building behind them in this shot is being made currently, into condos.)


Phife Dawg is dead at 45. This one personally hurts.

"Phife Dawg" aka Malik Taylor was a lyricist and key member of hiphop's ground breaking group "A Tribe Called Quest"

Some folks rant about people mourning the death of entertainers or celebs, and if you're kind of fan of "A Tribe Called Quest" then Malik Taylor aka Phife Didd-dawg was the energetic essence of that, but he was also the dude I'd see on the regular in NYC. Specifically in video game arcades where he'd hold down a machine for hours, beating anyone who foolishly stepped to challenge, or just rocking the machine by himself. If you have no idea who I'm talking about let me take a few lyrics from the man himself to explain:

"Now here's a funky introduction of how nice I am Tell your mother, tell your father, send a telegram I'm like an energizer cause, you see, I last long My crew is never ever wack because we stand strong"

From "Check the Vibe" by A Tribe Called Quest
(This video shot with contours of a desolate DUMBO in the Background)

Phife on his preference of women:

"I like 'em brown, yellow, Puerto Rican or Haitian Name is Phife Dawg from the Zulu Nation Told you in the jam that we can get down Now let's knock the boots like the group H-Town You got BBD all on your bedroom wall But I'm above the rim and this is how I ball A gritty little something on the New York street This is how I represent over this here beat"

From "Electric Relaxation" by A Tribe Called Quest,


Phife On fidelity:

"Original rude boy, never am I coy You can be a shorty in my ill convoy Not to come across as a thug or a hood But hon, you got the goods, like Madelyne Woods By the way, my name's Malik The Five-Foot Freak Let's say we get together by the end of the week She simply said, "No", labelled me a ho I said, "How you figure?" "My friends told me so" I hate when silly groupies wanna run they yap
Word to God hon, I don't get down like that."
Also From "Electric Relaxation" by A Tribe Called Quest

Phife On life(kinda):

"I never half step cause I'm not a half stepper Drink a lot of soda so they call me Dr. Pepper(sad! He was referring to his indulgence of sugars that led to his diabetes) Refuse to compete with BS competition Your name ain't Special Ed so won't you seckle with the mission I never walk the street thinking it's all about me Even though deep in my heart, it really could be I just try my best to like go all out Some might even say yo shorty black you're buggin' out"
From "Buggin' Out" by A Tribe Called Quest,




Damn! Imagine being 20 years old and those lyrics play over Tribe's dope beats as you walk down the street, into the club, off to class, Phife aka #MalikTaylor made an introduction, lines for anyone feeling the vibe, especially someone young as he was then, trying to find their way.


It's very important to note these albums came out over 20 years ago, when HipHop was still a largely unknown genre, and when images of HipHop ranged from under budget to cliched. Yet A Tribe Called Quest powered by Q-Tip's fertile visual imagination, he and Phife's lyrical flows, Ali Shaheed Muhammad's dope beats and all three of their combined energies created videos which were imaginative, bugged out (sometimes literally, as shown above) and always full of Black and Brown faces.

Smiling faces, Hard Faces, Happy Faces, Dancing Faces, Living Breathing on the Block from Bk to Queens, faces. Us just living, being, us.

For a great example check out this video for "Oh My God" which was shot on Monroe (btw Marcus Garvey and Monroe *below) in Bedford Stuyvesant.



I can't begin to express what it was like in the 90's to click on "Video Music Box" (running on a public tv station channel 31 here in NYC at the time) and seeing the block my family lived on, and the people of Brooklyn I recognized as everyday people being the setting for the music of the moment. Tribe was a part of the culture that elevated an unseen NYC for millions of people.
If you're reading this and you've never heard of any of this, it could because while Phife and A Tribe Called Quest (#ATCQ) were pioneers in a jazz infused melodic hiphop that plotted the course for hundreds of lyrasis and producers to come, most notably The Roots, so you may not have heard Tribe on your radio but it didnt matter or as Phife might say:

No need to sweat Arsenio to gain some type of fame No shame in my game cause I'll always be the same Styles upon styles upon styles is what I have You wanna diss the Phifer but you still don't know the half.
From "Check the Rhime" by A Tribe Called Quest
"Rappin' is an art, coming straight from the heart So forget the chart because the action can start."
From "Hot Sex" A Tribe Called Quest (on the Boomerange Movie Soundtrack)

Me, I used to be a gamer, hardcore, and like others I'd go to the city to play the best in the land. I saw Phife regularly in the arcade. Occasionally I'd stand by and watch his gamer skills. He was totally unpretentious. A regular dude like everyone else, flexing skills at a serious hobby, concentrating mad hard, or cracking jokes.

Dudes would come and try talking him up, but usually not, cause Phife was busy leveling up. And if you know, you know how that goes. After a while my visits to the arcade were just to come and go. I'd step in and right back out cause if Phife was on deck nobody had next.

Phife is a part of my NYC, my Hip-Hop my memories. 

Seeing him struggle with diabetes in the "A Tribe Called Quest" documentary was rough, but like anyone would, I'd hoped he was recovering toward a happy ending.

45 is young. Way too young to go.


(Recent photo of Malik Taylor aka "Phife Dawg" Photo credit Andrew H Walker/Getty)
"You on point Phife?" Yo Rest in Peace man.



#RIPPhife #ATCQ #NATIVETONGUES #HIPHOP #FallenRappers #NYC #BROOKLYN #BKLYN #QUEENS #UPTOWN #BRONX #WORLDTOUR #LONGISLAND #VIBE #PEOPLESINSTINCTIVETRAVELS

(Apologies for the wack spacing throughout this, I will be overhauling this blog soon)

Friday, August 28, 2015

TOMORROW: GAMES, FOOD, SCHOOL SUPPLIES for the Kids in Crown Heights



S.O.S. Crown Heights (Save Our Streets) is hosting a street party tomorrow on Kingston Av from Eastern Parkway to St. Johns.

They're a great group with a great cause and there'll be food, games, sports and giveaways all for the kids. Spread the word, share the streets.

For more info contact SmithJ@crownheights.org

Thursday, May 7, 2015

Kids Get Free Bike Helmets TODAY - Main BPL

Today from 3:30p to 7p (or until supplies runout) Kids will get a free bicycle helmet and fitting at the main branch of the Brooklyn Public Library. 

Helmet fitting and giveaway at the Central Library 
10 Grand Army Plaza between Flatbush Avenue and Eastern Parkway in Prospect Heights, (718) 230–2100. (May 7 at 3:30-7 pm, or until supplies run out. Free.

This an other kid (and bike) related events are happing all the time at the library, for more information check their site: http://www.bklynlibrary.org


Thursday, September 25, 2014

Smorgasburg & Bklyn Flea, coming to Crown Heights

 (Above) "BERG'N" the newest eating, hanging, drinking spot to land in Brooklyn and most audaciously, in Crown Heights. Soon to be sharing Winter customers with the Brooklyn Flea and Smorgasburg

Whoa.

I like food. And much in the same way I like to have my good t-shirts dry-cleaned for reasons of practicality and pampering, I occasionally enjoy spending more than I should on small portions of obsessively prepared, delicious food.

In other words I like Smorgasburg.

And they've just dropped the word that they're going to be in Crown Heights for the winter weekends starting on Nov 8th & 9th placing them at 1000 Dean Street the newest of recently renovated commercial spaces in the western end of the neighborhood. This will place them back to back with Berg'n which I have been to twice but yet to review because I want to get a fair sense of Berg'n before I proclaimed it the latest and tastiest Beer-eteria I've been to. Oh see? there that went.


Eric Demby, Smorgasburg & Brooklyn Flea co-founder says there'll be between 100 and 110 vendors each weekend and that they'll be set up with more permanent stalls. Of those, five to 10 will be cooked-food stands and more from the "packaged-food contingent." In addition to food vendors from Smorgasburg there will be marketeers from the Brooklyn Flea in the space, making for an enclosed experience of food, shopping and meet up spaces. ("Whooohoo 360ยบ!!" says the marketing staff.)

Snips aside it's a brilliant move. Berg'n the venture co-funded by GoldmanSachs (is this the first time they've invested in Crown Heights?) has been packing them in, even in these pics I took on their second day open just before lunchtime.

(Above: owner and Ramen Burger creator Keizo Shimamoto, he nimbly prepared one for me)

I'd figured it would be the convenient lunch destination for whatever businesses filled 100 Dean Street. Now this merge of offerings that attract and overlap like-minded customers boosts all the player's profiles and profits, and will probably go a long way to keeping Berg'n profitable despite the weekday afternoons when people traffic is lower.

(Above: A Ramen Burgen, bun of ramen noodles in between a tasty hunk of shredded beef chuck, juicy steak tomato, arugula and special mayo sauce, seconds later it became part of me)

I haven't written about 1000 Dean (the old Studebaker repair building long since under used) being made into a wide open ready to go commercial space mostly because I haven't heard of a main tenant being announced. Bergen and Dean streets run straight from Brownsville(Ocean Hill now, yeesh) East New York's end of Crown Heights and continue west straight to within blocks of Brooklyn Bridge Park. Bike lanes and buses on both streets. It's exactly what I've been saying to potential property buyers for years now, follow the bike lanes, there on lies a plan.



So all this new business in Crown Heights could be cool. Downside I can imagine now there'll be more new people who haven't gone through the crucible of moving to Crown Heights, meeting neighbors and becoming aware through hard and soft interactions not to be a entitled douche. So let's so come November how much fun it is to be around here on the weekends. Between this and Starbucks having opened today on the other end of Franklin's now crowded commercial corridor (mostly from Eastern Parkway to Dean St) we'll really get a sense of how much of the conscientious character of the neighborhood stays intact as we develop forward.

From the left; Mighty Quinn's (BBQ), Asia Dog, Pizza Moto, & Ramen Burger,
(clearly you can't sell food here without a compound name)

Look at those scant lines of people up there, it won't be that way when the Smorgasburg train comes to Crown.

More details from the folks at Gothamist: http://gothamist.com/2014/09/25/smorgasburg_crown_heights.php

Wednesday, August 27, 2014

PHOTO WEDNESDAY : AFROPUNK IS WHATS UP EDITION

So yesterday was a lot. I'm still recovering from the greatest weekend in Brooklyn this summer of 2014.

The Afro Punk Festival had been on my calendar since I was forced to miss it last year, and then outta the blue Spike Lee, 40Acres, DjSpinna and the New York Knick City Dancers (?!) decided to throw a huge old fashion Brooklyn block party styled tribute to Michael Jackson at Restoration Plaza in Bed-Stuy.

So of course I hit both.

Afro Punk 2014 Day 1xP-2585 And (as you can see) I got pictures, click through the one below or check the album (since yahoo killed flickr's slideshow function https://www.flickr.com/photos/mr_fuetur/sets/72157646939767815/)  and it's like you were there, only much quieter and less cool.

Afro Punk 2014 Day 1xP-2463

and video and stories and my god there needs to be another weekend between last and next just to express all the greatness that went down, from Spike hosting a good all family event for longterm Brooklynites and newcomers from around the world, including bringing out two of the newest Knick players, to a free rock event that somehow got a fraction of the Arcade Fire concert's media coverage despite it being just walking distance away from AfroPunk which was hands down the greatest music event last weekend and possible of the August if not the summer.

Here's a list of bands if you were getting married last weekend or just had fingers in your ears:

Meshell NDegocello
Fishbone
Sharon Jones & The Dap Kings
D'Angelo
Bad Brains
Alice Smith
Lianne La Havas
Unlocking The Truth
Body Count with front man Ice-T
SZA
The Bots
Valerie June
about half The Roots
and thats only about 1/5 of the show. Plus there was food beer and rows of tents with vendors selling artwork, clothing and more. And entry was free.

So up there is a slideshow of some of the best pics and I'll be getting the video I shot soon with some special clips.

Saturday, August 23, 2014

AfroPunkFest 2014 & Spike Lee MJ Party

(above: Alice Smith mid set on Saturday Aug 23, 2014 at Afro Punk Festival, Commodore Barry Park, Bklyn)

AfroPunk 2014 music art food culture ere in Downtown/Fort Greene Brooklyn and i'm here.

5:15p Alice Smith at the Green Stage literally brought the sun out with her voice and energy.

Amazing set, Alice gave that no nonsense sweet sweet fierce fierce love to the crowd, her inspirations and even had a little left over for the soundman.

Lianne La Havas, brit born, Jamaican/Greek descended chartreuse/muse followed a Beverly Bond DJ set, and proceeded to cause a Brooklyn swoon the likes of which many are still happily unrecovered from. 

Throughout the crowd I heard as many people singing La Havas lyrics as there were remarking about how perfectly darling she is. Its true Lianne's songs have the quality of a young woman who's in the effort of finding love has had heart tarnished and uses the experience to burnish out songs which when delivered in her range from primal scream to often audible whisper, melt the heart.

It's a perfect bit of scheduling that Valerie June (whom I just caught before her set ended) Lianne La Havas & Alice Smith, played a processional lead toward Sharon Jones & the Dap Kings, because each of the three musicans present a facet of young womanhood. Valerie's rockabilly strunging and "aw shucks-esque" sing cleverly ensconce a Valerie's  woman who will not be taking shit now or later. Lianne is romantic optimist, going mind and heart wide open into the romantic abyss, and Alice is lightning a potential lover hopes to catch and worries my fry them. 

If you'll allow me to wrap these three musicans into a loosely fitting metaphor, here goes, Alice Smith is Id, Lianne the Ego and Valerie's the Super Ego. Granted each has songs in which they play all and none of those roles, but on stage thats what the viberation I hear.

Alice Smith is a force of nature unapologetically contained in the body of an electrifying young woman. When Alice's label lacked the vision of her second album, the Grammy nominated artist went to her crowds and funded "SHE" her second album which has produced more of the high voltage, piognant and true songs of Alice's heart as mind, laid bare, that make her a musical pleasure to be transfixed by.

The stellar end to the 1st night of Afro Punk at the green stage was aptly presided over by the one and only Sharon Jones & The Dap Kings. If you've ever been in a church service, if you've ever been to a racuous party, or had the pleasure of both in one, you'll have a slight idea of what heaven on Earth  Sharon Jones & The Dap Kings unfurled in Commodore Barry Park at Afro Punk 2014. Sharon was  minister preacher in full in one sequence sharing with the congregation her personal struggles and uncertainties after illness, "I didn't know if I would make it, I had no hair, no eyebrow hair no nostril hair, I didn't know if I would be anywhere.." in another moment renegotiating the playlists into a satisfying melody of their decade longer career songs. The movement of souls was visible, a funk more fortified than the sess tinged air, churning up the clouds as their musical chariot descended, like the revival jams of 100 Days, 100 Nights and eons of horny bass all rolled in to one, knocking the often unknowingly sanctifying crowd flat dead and bringing us back to life. Thats how Sharon Jones & The Dap Kings closed night one of Afro Punk 2014 on the green stage.

Today acts ranging from the nearly brad new life of "Unlocking the Truth" (who at aged 13 swiped the title of youngest festival group  from The Bots) to stalwarts of punk, ska & rock, Fishbone, who can always be counted on for a memoral show, will hit the Afro Punk stages, along with dynamic and diverse acts including Tamar-Kali, SZA, The Internet, Cro-Mags, the legenday Michell Ndegeocello, and culminating with a festival ending set by D'Angelo. So you've been told.

In a true challenge to musical loyalty and geographic possibilty at today is also the Spike Lee presented Michael Jackson party in Bedford-Stuyvesant at historical mixed media venue Restoration Plaza from 12noon to 6p Dj Spinna will be controlling the decks an spinning straight MJ and Jackson and or Jacksons inspired track just as Spinna does at hos annual MJ and MJ vs Prince parties around the country.

Cell service at these events tends to be spotty which I dont know whether to blame on infrastructure, or crowd control, but that is the case so I'll be uploading pics tomorrow as well as some choice video.

Fyi if youre a straight R&B type, the Mj Party ends at 6 as D'Angelo starts at Afro Punk at 8:30 so that C train (Kingston Av to Lafayette, followed  by a walk north on Ashland) might have your name on it

All Free. That's what's up Brooklyn, USA. 



Monday, August 11, 2014

SAVE ROGERS AVE GARDEN!


On the corner of Rogers Ave and Park Place in Crown Heights ("western" crown heights as the new comers say, because obviously a neighborhood of two miles requires geographic annotations) there is a small lot that had been neglected by the owner. Concerned citizens long ago transformed the lot into a community open, garden.

The garden has stood for at least ten years. I remember the mural painted on the wall above it for at least that long.

Recently developers, one can only imagine who, tracked down the owner, who I was told, was living in Florida and beset with back taxes for the lot. It seems developers purchased the lot for below market value and are now attempting to developed the site.

Rogers Ave recently got a make-over in the form of an express bus lane. The lane stretches from near Brooklyn College in the Flatbush/Midwood section, connecting with Bedford Ave where it and Rogers merge at Atlantic Ave and continuing to Williamsburg.

I've been talking up Rogers to friends for years because it has lacked aesthetic charms but had lots of available rentals. Leading in the lacking amenities on Rogers is greenery, specifically flowers, trees. No double entendre here.

So the fact that there is a garden on Rogers which is fueled by new and old residents who want to keep the neighborhood on the upswing is a great reason in my mind for this site to remain green, and open to residents and especially local kids at the elementary school down the block.

I spoke with a volunteer who was putting the finishing touches on large painted letters spelling out "SAVE THE GARDEN" (pictured above) and he explained these details as well as the hope that local residents will contact our elected representatives, in this case Mayor DeBlasio, Public Advocate Tish James, as well as the City Councilmember for this site, Robert Cornegy(RCornegy@council.nyc.gov) and request the city take over the site as a result of owed taxes and lease the land to the community garden.

For more information on how to help save the garden, go to www.rogerthatgarden.org

Friday, June 27, 2014

Oops: Live from Bedford-Stuyvesant Spike Lee/Doing the Right Thing

(Updated Sat 6/28)

Apologies.

I got the date wrong. Hopefully I'm the only person who had to miss out on the block Party.
----

"What is brooklyn?” is a question I find myself asking a lot lately. I’m willing to bet, New York being New York, that question is sincerely asked on average three times a week around the world. And that’s sincerely, add the ironic existential asks and I’m sure the question of what Brooklyn is, and my god isn’t runs like a metronome. 

For me to be wondering that, born here, having been, across the span of now five decades (I promise I’m still carded and I still think I’m supposed to be) it’s as bizarre as if I awoke this morning, swung my feet off the bed and looked down wondering, “who’s legs are these?”

But that’s where I’m at and I’m not alone. The amount of spontaneous conversations I hear and take part in on a daily basis asking the same questions, wondering as well whether we born Brooklynites are still attached to a living breathing factually member, this borough of whether we’re all suffering the pain of a phantom limb are countless. 

There are many Brooklyns. In each era for decades now, there have been many, untouched by the goings on of Manhattan, fairly oblivious to other corners of this same borough. Five decades lived and I’ve never walked the streets of Bay Ridge. I know of people who work a job, raise a family, live a life and never set foot out of Sheepshead bay, or Brownsville, or Greenpoint. It’s not unsurprising in a place like Brooklyn that has a population three times larger than San Francisco and if counted without the other four boroughs would be the 4th largest populated city in the United States.

I just watched an old episode of what I happily recall President Obama calling a “iiberal fantasy”, TV’s “The West Wing”. In this episode a congressman, and leader of the Black Caucaus tried to make the point that his constituents, young Black men in Bedford-Stuyvesant were being under-represented. The same episode referenced Colombia as proxy for a conversation about the drug war, and in a different region of the world (as well as the plot) “friendly fire” as short hand for the complexities of war. Bedford-Stuyvesant was referenced several times, each timing meaning impoverished, disenfranchised, and Black. That blanket reference doesn’t work today, barely ten years later. And that should be cause for celebration, but the problem for many people, many native New Yorkers, many born Brooklynites, is what definitions do apply to Bed-Stuy, today.

It’s good that as opposed to poverty and disenfranchisement, there are small businesses and home owners, forging new bonds and reaping dividends in Bed-Stuy. Fantastic would be if more of those people were the residents of that community that helped keep two nostrils above water when the floods of drugs, crime, and systematic neglect rained down upon that part of Brooklyn.

I recently was invited to the home of a new business partner, he a professional was telling me about the Bed-Stuy brownstown he’d recently purchased. I remarked about how great he, not of Brooklyn, must be finding it all, and I rattled of some culinary and social points of interest. He had no idea where any of these places and the streets they belonged to were. “He doesn’t need to…” I thought to myself as he told me, sheepishly the story of the people who were foreclosed on, which made his purchase possible. To say the least, I felt conflicted. Part of me wanted to look down and ask where my legs were and why weren’t they moving.

This Saturday Sunday June 29th from noon to 6p, on Stuyvesant Avenue and Quincy, Spike Lee will be hosting a block party in honor of his seminal film “Do The Right Thing”http://www.okayplayer.com/news/spike-lee-hosting-25th-anniversary-do-the-right-thing-block-party-bed-stuy.html. The block is the actual and entire block the Oscar nominated film was shot on. 

If you truly know Brooklyn’s Brownstown belt and the skirmishes contained in, or your simply old enough, you know how much of the city’s ills then and sadly now Spike packed into that film with poignance and power. You then probably know of the scene in the film where a man white of skin walks his ten speed bike, and celtics basketball jersey up the block and into that character’s new brownstone. A lot of people relate that scene from twenty-five years ago to today, especially after Spike voiced the displeasure thousands of us feel at having neighborhoods we’ve lived in redressed around and without us, earlier this year at a Pratt Institute event. I recall watching the film and not understanding how that could ever happen, I was unfamiliar and undeserving of Bed-Stuy back then, I was a teenager. Spike knew what I wish more people knew today, Brooklyn is a place where people intended to live, that had fallen on hard times (for countless reasons) and it only took (and takes) a release of the yoke holding the neighborhood down, offered to those with means, to create a market and a marketing, that would invite people with means to come back.

Sadly, and what troubles me most is how difficult it is for a lot of us to be happy about Brooklyn's fortunes. If you would have told people in 1989 that Brooklyn would be undergoing the current renaissance we'd be partying in the streets. Surely people would have to presume the problems of drug wars, underfunded schools, over policing, banking discrimination, crime, would have been resolved. But they really weren't, despite the light Brooklyn basks in today, the instrument of change in most cases is a bulldozer. Pushing away, old structures and old cultures, pushing people off the reservation, tables held for the new. Crime hasn't be solved in Brooklyn of most anywhere in New York City as much as it's been made complicated by raising rents on the poor, people who are victims crime and relative to their population, occasionally suspects in crime. The Brooklyn Bulldozer Baby & Bathwater Bloomberg Policy is what happened. And after eight years of a hostile Mayorial administration, and the near two decades of urban decay preceding that, it didn't seem so bad at first, until you saw the baby's rolling down the street and off into cold night.

Yesterday I was randomly net-surfing (see I am old) and I came across a listing on Franklin in Bed-Stuy for an apartment. Fifteen years ago members of my family used to go to substance abuse treatment a few doors down. Not a nickel to rub between them, not a pot to do anything with at a all. 

The asking price for the apartment I saw online yesterday? 1.025 Million dollars. Seriously where am I?

Well like I said, Spike is having a block party on Saturday sunday and I don’t quite know what that means or where my legs will be, but I believe they’ll be doing the right thing. If you don’t have the house you gotta have hope.

"Where Brooklyn At? Where Brooklyn At?"

Wednesday, February 26, 2014

Spike to the heart of Gentrification Agnst

Since everyone else is talking about fiery filmmaker and Brooklynite Spike Lee's expressive talk about gentrification during a Q&A at Pratt Institute (Alumni office I'm side-eyeing you for my lack of notice) I might as well post it too.

Besides simply saying gentrification is bad Spike addresses the issues of new people trampling the longstanding culture of existing residents, neighborhood renaming and my fave the "discovery" of places that already have people, culture and life.

A few highlights:

"Why does it take an influx of white New Yorkers into South Bronx, Harlem…for the facilities to get better?"

"The motherfucking Christopher Columbus syndrome… you can't discover this we been here."

Spike also references the Michael Jackson Tribute party planned for Fort Greene park back in 2009, and how it was turned away, by new residents to the area, which I wrote about on this blog: http://umbrooklynborn.blogspot.com/2009/08/community-is-bigger-than-one-person.html

Here’s the full audio, including the man’s response and Lee’s rebuttal:
https://soundcloud.com/daily-intelligencer/spike-lee-on-gentrification

All that's essentially the raison d'รชtre of this blog, nearly verbatim. Wonder if Spike's a reader?

The whole breakdown from NYMag:
The filmmaker, wearing a Knicks beanie, orange socks, blue Nikes, and "Defend Brooklyn" hoodie, was at Pratt Institute for a lecture in honor of African American History Month, surrounded by locals, when he was nearly asked a question about “the other side” of the gentrification debate. “Let me just kill you right now,” Lee interrupted, “because there was some bullshit article in the New York Times saying ‘the good of gentrification.’” (See: “Argument Over a Brownstone Neighborhood” andNew York’s “Is Gentrification All Bad?”)

“I don’t believe that,” said Lee. And for the next seven minutes he explained, with passion, humor, and a fair amount of f-words.
Here’s the thing: I grew up here in Fort Greene. I grew up here in New York. It’s changed. And why does it take an influx of white New Yorkers in the south Bronx, in Harlem, in Bed Stuy, in Crown Heights for the facilities to get better? The garbage wasn’t picked up every motherfuckin’ day when I was living in 165 Washington Park. P.S. 20 was not good. P.S. 11. Rothschild 294. The police weren’t around. When you see white mothers pushing their babies in strollers, three o’clock in the morning on 125th Street, that must tell you something.
[Audience member: And I don’t dispute that … ]
Whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa. And even more. Let me kill you some more.
[Audience member: Can I talk about something?]
Not yet.
Then comes the motherfuckin’ Christopher Columbus Syndrome. You can’t discover this! We been here. You just can’t come and bogart. There were brothers playing motherfuckin’ African drums in Mount Morris Park for 40 years and now they can’t do it anymore because the new inhabitants said the drums are loud. My father’s a great jazz musician. He bought a house in nineteen-motherfuckin’-sixty-eight, and the motherfuckin’ people moved in last year and called the cops on my father. He’s not — he doesn’t even play electric bass! It’s acoustic! We bought the motherfuckin’ house in nineteen-sixty-motherfuckin’-eight and now you call the cops? In 2013? Get the fuck outta here!
Nah. You can’t do that. You can’t just come in the neighborhood and start bogarting and say, like you’re motherfuckin’ Columbus and kill off the Native Americans. Or what they do in Brazil, what they did to the indigenous people. You have to come with respect. There’s a code. There’s people.
You can’t just — here’s another thing: When Michael Jackson died they wanted to have a party for him in motherfuckin’ Fort Greene Park and all of a sudden the white people in Fort Greene said, “Wait a minute! We can’t have black people having a party for Michael Jackson to celebrate his life. Who’s coming to the neighborhood? They’re gonna leave lots of garbage.” Garbage? Have you seen Fort Greene Park in the morning? It’s like the motherfuckin’ Westminster Dog Show. There’s 20,000 dogs running around. Whoa. So we had to move it to Prospect Park!
I mean, they just move in the neighborhood. You just can’t come in the neighborhood. I’m for democracy and letting everybody live but you gotta have some respect. You can’t just come in when people have a culture that’s been laid down for generations and you come in and now shit gotta change because you’re here? Get the fuck outta here. Can’t do that!
And then! [to audience member] Whoa whoa whoa. And then! So you’re talking about the people’s property change? But what about the people who are renting? They can’t afford it anymore! You can’t afford it. People want live in Fort Greene. People wanna live in Clinton Hill. The Lower East Side, they move to Williamsburg, they can’t even afford fuckin’, motherfuckin’ Williamsburg now because of motherfuckin’ hipsters. What do they call Bushwick now? What’s the word? [Audience: East Williamsburg]
That’s another thing: Motherfuckin’… These real estate motherfuckers are changing names! Stuyvestant Heights? 110th to 125th, there’s another name for Harlem. What is it? What? What is it? No, no, not Morningside Heights. There’s a new one. [Audience: SpaHa] What the fuck is that? How you changin’ names?
And we had the crystal ball, motherfuckin’ Do the Right Thing with John Savage’s character, when he rolled his bike over Buggin’ Out’s sneaker. I wrote that script in 1988. He was the first one. How you walking around Brooklyn with a Larry Bird jersey on? You can’t do that. Not in Bed Stuy.
So, look, you might say, “Well, there’s more police protection. The public schools are better.” Why are the public schools better? First of all, everybody can’t afford — even if you have money it’s still hard to get your kids into private school. Everybody wants to go to Saint Ann’s — you can’t get into Saint Ann’s. You can’t get into Friends. What’s the other one? In Brooklyn Heights. Packer. If you can’t get your child into there … It’s crazy. There’s a business now where people — you pay — people don’t even have kids yet and they’re taking this course about how to get your kid into private school. I’m not lying! If you can’t get your kid into private school and you’re white here, what’s the next best thing? All right, now we’re gonna go to public schools.
So, why did it take this great influx of white people to get the schools better? Why’s there more police protection in Bed Stuy and Harlem now? Why’s the garbage getting picked up more regularly? We been here!
All right, go ahead. Let’s see you come back to that.

Wednesday, January 15, 2014

Bklyn's former Fox Savoy Theatre, it's next familar swan song

I can help but imagine Joni Mitchell serenading this post.

In the days of old, when Brooklyn was the world and Bedford Avenue a rich and mighty vein laden  with auto dealerships at it's center and various lush residential neighborhoods emanating out to the ends of the borough, there stood the Fox Savoy Theatre, as seen in the photo above from July 3rd 1929, looking north, downhill on Bedford Avenue. (Photo by George Mann)

A landmark in Brooklyn and New York history, this is the New York Times announcment of the Fox Savoy's then impending debut:


This is how the former Fox Savoy Theatre looked in late 2012:



Like a lot of things in Brooklyn I've witnessed it for decades. At some point in my childhood, I noticed it was inhabited by a church named "Charity Neighborhood Baptist Cathedral" and that's how it remained, until last year. I didn't notice the sign for the church was gone until I saw the dumpsters parked out front last spring. I've been trying to find out what the history and future of the building is since then. I finally found some history:

From the website, "Cinema Treasures.org" http://cinematreasures.org/theaters/6069/

"The Savoy Theatre was the largest theatre that William Fox ever built in Brooklyn prior to the downtown Fox Theatre. Opening publicity claimed 3,500 seats, but that has been debated ever since. Some industry year books say 2,750, but I would guess more like 3,000. The Savoy Theatre has a very large balcony with minimal space between the rows.
The Savoy Theatre was built at the same time as Fox’s Academy of Music in Manhattan, with Thomas W. Lamb as architect of both. The Savoy Theatre’s auditorium is in the Adam style, with boxed seats adjoining the stage and a shallow dome in the center of the ceiling. It first opened on September 1, 1926, with Fox’s “Fig Leaves” on screen, plus six acts of vaudeville. With program changes twice a week, the Savoy Theatre was considered the Fox circuit’s top Brooklyn showcase until the 1928 opening of the downtown Fox Theatre. After that, it became just another neighborhood movie house, but playing first-run for the area.

After William Fox’s bankruptcy, the Savoy Theatre landed under the Randforce Circuit, which, to signify the theatre’s importance, moved its executive HQ to office space in the building. The Savoy Theatre carried on into the 1960’s, despite all the social turbulence in the Bedford-Stuyvesant area.
Fortunately, it escaped demolition and became the Charity Neighborhood Baptist Church. Except for removal of the marquee and alterations to the entrance, the Savoy Theatre’s interior is virtually intact, though re-painted in whitewash in most areas. Some of the original stage curtains are still hanging, and I’ve been told that old scenic backdrops are still stored in the lofts."

I don't live far from the building, my grandmother once worked in the daycare center that shares the same block, back when the it was called the "Haitian-American Day Care Center". Considering the renaissance of cultural venues reoccurring in Brooklyn today, and with Bedford still easily accessible as a wide two-way street that literally goes from one end of the borough to the other, I presumed upon seeing the church sign was gone, that the building was going to be reborn as a new mixed used venue.

That seemed plausible to me not only for the revitalization of Franklin Avenue a block west, and the increasing rents that signal old businesses being forced out and new ones welcomed two short blocks east on Nostrand, but because also the Loews Kings Theater starting renovations just last year after being a building completely unused, and destroyed by rain and squatters for decades.

Instead it turns out demolition is what is happening.



The photo I took (above) is how it looks today (Jan/2014)

The first of New York City's Fox Theater's and the last one standing will be demolished without much fanfare, it seems. There has been an effort to landmark this and other streets in the western end of Crown Heights but those efforts are still in consideration. This building wasn't fast tracked, it's going to go and leave memory and important questions in it's wake.

Questions like the ones Brownstoner commentator "Melrose Morris" wrote about in May 2013 (which I missed) (http://www.brownstoner.com/blog/2013/05/building-of-the-day-1515-bedford-avenue/):
"The church needed money to do extensive repairs, and of course, being a shrinking economically disadvantaged congregation, they didn’t have it, and there was a lis pendens on the building, as well. So they sold the building for tear down, with the developer promising that members of the congregation would be able to have a preferential standard in renting an affordable apartment there when the new housing was completed. I hope Charity got that in writing. 

I’m angry for a couple of reasons. First of all, this building should be saved and landmarked. It is a cultural icon of a movie age of old, a big part of the history of Crown Heights, the history of Fox and movie theaters in Brooklyn and America, and an important part of Thomas Lamb’s shrinking number of contributions to architecture. America has been shaped by the movies in myriad ways, and large movie houses like this are a part of that legacy.

We blew this one, from a preservation and community standpoint. We didn’t know it was endangered, the congregation didn’t reach out to the community, or to any kind of preservation entities with a cry for help, and now that’s it’s been gutted, and has a permit for demo dated last year, it’s too late to do anything but take photographs, and maybe grab a terra-cotta chunk of debris from the pile of rubble when it’s all over. Where was the community on this? No one drove, or walked by and noticed anything? And beyond that, realistically speaking, what would happen to the building had it been individually landmarked? There’s not a big demand for enormous theaters that need a lot of work. Could it have been converted to housing, or bought by nearby Medgar Evers College for their use? Would landmarking have been the right move, given all the circumstances?

I’m also angry because it seems from the numbers presented, the church got royally screwed. If they had to sell, they could have held out for much more. You can’t buy a two story run down house in Crown Heights for $575K. How can anyone justify that price for that enormous building that takes up literally half the block? I can’t help but think that the developer took advantage of a cash strapped group of poor black people who were not real estate savvy, and thought they were making a lot of money. Where were their lawyers? Where was the Community Board? Wasn’t there anyone in their congregation, or friends or family who said, “Whoa, that price is not high enough. Crown Heights is gentrifying and real estate is going up faster than the temperature on a hot day. We need to buy a new church, we have to get more than a piddley $575,000.

They are still going to get an enormous footprint to work with, and there will be a lot of units in any kind of building they do. Will some of them be affordable? Will some of the parishioners of Charity Baptist be living there? Or will it be another cool luxury condo building marketed towards the “New Crown Heights” that is straining to move east of Franklin Avenue, which is only a block from here? I guess we have no choice but to wait and see."
It seems despite the positive aspects of gentrified Crown Heights, namely an increase in community organizing and activism, no one from the neighborhood or active residents had enough of a relationship with the Charity Neighborhood Baptist Cathedral to be aware they were selling, no, essentially giving the building away. And no one from the Church apparently reached out to neighborhood thus allowed this historic building to be sold for the unfathomable price of less than $600,000.

In my opinion, everyone in Brooklyn who cares to develop over destroying significant history of the City takes a collective "L" for this one.

It's amazing how the bonds of neighborhood and community that were weaken and in some cases broken, back in the 60's, 70's & 80's still resonate today.

Despite all that has been left to ruin or otherwise lost, there are still gems and iconic elements in Brooklyn. I believe we need to be more active unless we want to keep saying goodbye to things that shouldn't go, and singing this song:

"Don't it always seem to go
That you don't know what you've got
Till it's gone
They paved paradise
And put up a parking lot"
-Joni Mitchell


Friday, January 3, 2014

1st Snow of 2014

I was scoffing all night this snow storm. 6 inches of snow? Closed schools? C'mon… I said. I walked through 26 inches of snow to get to the 7th grade I said. Well I was wrong. If you've gone out in it you know it's not the snow, its the air temps which are hovering around 0ยบ. If you're  hyper-active kid you might be okay but otherwise don't be outside long.

Here's some fun pics from Prospect Park, I especially commend the body sledder.

Wednesday, October 30, 2013

Photo Wednesday 103013 Sandy Revisited Edition


One year today Hurricane Sandy hit and this is just some of the fallen trees, damaged buildings and aftermath of flooding I saw: The Lower Manhattan being a silhoutted outline of black, the lower East River Bridges being half illuminated, the then flooded Battery Park underpass, (not to mention the south ferry subways station and the river tunnels) old steakhouse in the meat packing district cooking their inventory outside as to not let it go bad in the blackout that followed. Incredible. We survived lower Manhattan and subway tunnels flooding, and explosion at one of our main electric power stations. I remember mine and the neighborhood's lights flickering as a result. I knew that was bad but when my lights stayed on I thought the city had gotten by unscathed, little did I know Manhattan south of 28th street was suddenly and near totally dark and would remain so for days. I enjoy complaining like a lot of New Yorkers, but it really is amazing that the city got itself back together as much as it did so quickly.

Friday, October 25, 2013

OBAMA IN BROOKLYN, BAM!

So yeh. I'm excited. I like the President, and I write a blog about Brooklyn. So if the 1st African-American President of the United States comes to Brooklyn (to the P-Tech High School on Albany Avenue in Crown Heights), just a few blocks from where I was born and I didn't have something to show for his visit, this site would be useless.

So without wasting more time, here's video of President Barack Obama landing in Prospect Park (which I am all down for)

And a photoslide show (who loves ya baby!)
(PS I just heard the President and our soon to be Mayor Bill DeBlasio are eating cheesecake downtown at Juniors) What's your Brookyn/Obama sighting?

Monday, October 21, 2013

Missed it Monday : Brooklyn Art Bounty

Art is making it's presence know in New York in many ways that go beyond Banksy's current October "New York Residency" although few give and get the attention as easily Banksy's. I'll get more into Banksy in a piece to be posted soon.


This past weekend in Brooklyn was a great example of the abundance of art to be found.

The Brooklyn Museum has been in deliciously demonstrative form recently opening an exhibition of Wangechi Mutu's work appropriately entitled, "A Fantastic Journey". 

The works are to be seen, not described. But you should know Wangechi's work is as layered in thought as they are in process and equally balanced between beauty and filth in a way that to my eyes is perfect and enlightening. All the aspects of Wangechi's work I saw are like that. Including a video of filmed and animated elements featuring the equally dynamic and surprising recording artist Santigold (who like Wangechi makes her home in Brooklyn).

On Thursday the museum threw a party not only around Wangechi's work but inclusive of the larger tribe of creative Brooklynites including the fierce singer-songwriter and dynamic performer Wunmi, the deceptively powerful DJ Reborn supplying seductive and demanding dance music from half way around the globe and back. As they worked the dance space the 3rd floor had become, opposite the stage were an array of fashions, essentially wearable art being sold by Ngozi Odita of HAE Harriet's Alter-Ego fame), and AFRIKA21. The common thread between all these creative peoples is that travel similar physical and conceptual paths as Wangechi and each of these artists have made Brooklyn their homebase.

Wangechi Mutu's "A Fantastic Journey" is open now through March 9th, but see it soon because when you look at her work thinking you know what you're looking at, prepared to give credit for it's ingenuity, you'll likely find more subtle detail of thought and action to make freeze you in place with wonder. So yeh, you'll need to see it more than once.



Also collaborating with the Brooklyn Museum as well as Creative Time is artist Suzanne Lacy, whom I confess I've never heard of in my life, not even in my art life.

Suzanne's work became physically apparent as I was on the way to the opening of Wangechi's show at the Brooklyn Museum. The side steps of the Museum (one of the genius touches of the museums facade renovation nine years ago) have become a stoop in every way that is Brooklyn. On these steps you'll find families together enjoy the frolicking of their young while parents sit and catch their breathe, a few feet away a couple is likely meeting on their first date.

Suzanne's work in this space was to dress the front facing side of the steps in bands her signature process yellow color with text that asked questions related to gender issues.

Unfortunately for me this didn't inspire me to investigate and I nearly missed the broader work of Ms. Lacy that the stoop dressing was meant to direct viewers to, a full street of stoop conversations near by in Prospect Heights. As the universe would have it, a few days later friend told me she was participating in an art event nearby and when I came to see, it was in fact the entire block of Park Place between Underhill and Vanderbilt that was full with people sharing and trading personal reflections on issues of gender, sexuality, race and society in general.

It was a great time. Art aside the event reminded me of how far Brooklyn has come not simply in terms of cool factor, or gentrification (although those things have lifted Brooklyn's appeal with outsiders and new comers that increases the success of events like these) but in the overall willingness of residents, many new, some long-term who have now allow Brooklyn's public spaces to be party to these types of events. To put that succinctly, I couldn't help but think of all the resident's who gave up their parking spaces that day for the street to be shutdown, which any New Yorker knows is tantamount to giving your baby to a stranger.

I'll post video of the crowds on at Suzanne Lacy's event on Park Place later today.